June 27, 2006

gawking/reading/theory

I have been called a people-watcher.

One main difference between people-watchers and stalkers is that the people-watchers have shorter attention spans. They don't get fixated on one person; they watch all of them. (Another difference, for the record, is that people-watchers usually are emotionally and psychologically sound.) They follow the conversations of many people instead of one, and can't be bothered to actually get up from their park benches and follow someone to find out more about them.

In school I often found it hard to eat with someone in the dining hall, since all I wanted to do was observe those around me and try to reconstruct their entire life stories. I think iit's some kind of obsessive/compulsive disorder. I suppose it's a bit rude to eat with someone and spend the whole meal trying to figure out whether the couple next to us are seriously dating.

No ring on her finger, but she stares into his eyes while he speaks, a big cheesy smile on her face. So probably dating. Wait...now they've moved into the cow-eyed stare while still talking--definitely dating. But that was a really stupid joke he told, and she laughed as if she were genuinely entertained by his lame puns, so they must still be in the early stages. When she's sure they're serious then maybe she'll let on that his jokes are inane. She, like any of us, can put up with stupid jokes if it keeps her from solitude. Anything to stave off the loneliness. Now, as for the...

And then my thoughts get interrupted by the conversation I've been carrying on with the person across from me. I turn my body sideways a little, away from the couple, so I can concentrate on the acquaintance who so kindly agreed to accompany me for dinner. Directly behind him is a shabbily-dressed young male, sitting along, reading.

Can see author--James Joyce--but not title. He shifts in his seat--title is Ul...--must be Ulysses. Is book a coverup, I wonder--he wants to make it look as if he could have found friends to eat with but instead wanted to eat alone? Is he pulling the age-old "I'm-so-smart-I-spend-meals-alone-contemplating-classic-works-that-are-difficult-for-the-average-Joe-but-are-brain-candy-for-literary-types-like-me" trick? Hmmm...looks like he's not really reading the book. Just staring blankly at the page and hasn't turned the page for a long while. Yep, it's a coverup. Huh? Oh, uh, yeah, I got a C. Yeah, she is a difficult teacher.

And that's how the coversations would go, nosy observation of complete strangers punctuated by occasional discourse with those friends who put up with my shenanigans.

I'm not entirely what I look for in my obsessive people-watching. Perhaps it's just a thirst for knowledge, any kind of knowledge. (I am, after all, obsessive/compulsive about the acquisition of random bits of knowledge, having spent many, many hours of my life leafing the encyclopedia and dictionary.) Maybe there's more to it, though.

I think people-watching accomplishes the same end as literature or film or poetry. It reminds us we're not alone, it uncovers the quiet desperation most live their lives in, it bares the soul of humanity.

Art is, basically, people-watching. At least that's one of the main facets of art.

To quote Richard Altick: "Literature preserves for us...the spiritual chiaroscuro of wasteland and earthly paradise, the bewildering series of shocks and discoveries, to which modern society has been subjected in the last two centuries.... [It] then is an eloquent artistic document, infintely varied, of mankind's journey: the autobiography of the race's soul."

I'm hammering out my thoughts on the purpose and the value of the arts. This is sort of the beginning of the formal statement of my theory. [Being profoundly lazy, I doubt I'll ever actually think up an actual formal statement of my theory.] I think that phrase, "The autobiography of the race's soul," pretty much sums up what I think re: the purpose and the value.

Thoughts?


Posted by jonsligh at June 27, 2006 11:53 AM
Comments

Jon, I would like to heartily encourage you in the direction you're already going here.

Art is people-watching (this from another self-confessed people-watcher). Just as we're not always able to explain how we've benefitted from our brief contact with someone, so art enhances our lives in unknown ways, many times. Similarly, since the erosive habits of another person may easily become our own unawares, our guard must be up even as we seek to embrace what IS loveable and true and good and beautiful in what we find.

"The autobiography of the race's soul" is a profound and meaningful statement from a phenomenal person. Perhaps it doesn't go far enough, I wonder. In an attempt to preserve Altick's generality (the race's) and his specificity (soul), could I suggest that "Art is the autobiography of the image-bearing soul." ??

Posted by: Will at June 27, 2006 12:09 PM

Hmmm...Some food for thought. I would agree with the qualification. The art with which we seem to connect the most is that which does highlight our imago dei nature.

Even art that portays man as sordid highlights our image-bearing soul. Bugs don't know that their lives are sordid and pathetic. They don't protest the fact. Think everything from "Bittersweet Symphony" by The Verve to The Metamorphosis by Kafka to God Bless You Mr. Rosewater by ol' KV. The fact that we note and lament the seeming pointlessness of it all points to the truth that we are more than a mass of cells.

Posted by: sligh at June 27, 2006 01:39 PM

That is so cool. I always do the same thing. But for me I think it's more of just eavesdropping. I love to know every minute detail of everybody's lives. When one person is talking to me I always listen to everybody at once. Well have fun people-watching...

Posted by: Justin at June 27, 2006 08:36 PM

Man, Justin, I wish I had your ability to listen to everyone at once...

Posted by: sligh at June 27, 2006 11:39 PM

i relate to the guy reading "ulysses." @least you've invited someone along for lunch. while i hide behind my huxley, however, (although most often it's polly horvath or hans christian andersen, in which case i also carry along a notebook to exude the pretence that i'm a children's book editor or @least a "publisher's weekly" critic) i am of course eavesdropping selectively.
so henry james and bill bryson take me to lunch often. that way i don't have to endure so-not-funny-it-hurts boy & the labor of making doe-eyes. all i have to give over lunch is silent chortle bill will never hear, or underline vigorously to let ol' henry know i caught the allusion.
in regards to art imitating life: one of the most talked about geniuses of miyazaki's "spirited away" is when chihiro bends down to re-tie her little pink shoe. that doesn't come by esp. it comes from observation-- what makes us human are the silly things we have to do everyday. and if i'm not there pretending to read bronte, there's a chance no one will notice at all.

Posted by: "life obliges me to do something, so i paint." magritte at June 28, 2006 09:01 AM

beautiful, hal

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